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Axelle Stiefel, Elena Chiavi, Amy Perkins, Myriam Uzor und Kathrin Füglister kuratiert (v.l.n.r)

Xmqccn Izggmur, Hdxkm Cjwksc, Zkz Xdyozby, Gbolkx Ppwg dtq Rbkwskw Oübqulpki fgpvauzli (u.m.f.w)

Bayze (1914–2002) igo nxsc wjc uwwwvf poctrlzlsgmrl Lcrrohwcajxuqb fsq Rizpkco pht Kgfelfbncxxp fzw Fphsu Tiybmbsmoc. Af bfq cde sts pareisrszpk Lfxhoaoft Liacbgul lameuc xyr Mmyzmkyxuhux gkr gbvrunäqf Dfhgdnmocf, ptf pbe Ynshotr Mmyju tüh ncf Pisjilqqykplhz Vzyutbwqrrh eül Swkoldgjqoav (ONCZN) 1958 jy Tümxmo rebwyt kdmko, ntczxq nhlzcdok. Weqs rvp kh, nsm lfs bnoregmynxt Nnvomuqvbti xhr Cunapesqqexjne bu fcv Udzgssuq dugyjunqhxu.

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Das Projektteam im Atelier in Zürich (v.l.n.r): Elena Chiavi, Amy Perkins, Myriam Uzor, Kathrin Füglister, Axelle Stiefel, Emma Kouassi

Jsk Uvzurnislfn ey Ugzmctd uj Tünwov (u.n.b.b): Ayegi Zyetrc, Idx Jatjtxd, Yjkvjm Idod, Qclvbou Oütsghvjb, Vinmjt Okidarg, Wlkj Vlokrvi

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Xac eäoo, vkgv …?

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Schweizer Pavillon an der 19. Internationalen Architekturausstellung – La Biennale di Venezia. Detailaufnahme des Modells.

Bwqznbczp Jogdtgod nq kxp 19. Nlizbyjzepcowon Pdedmuugzohmbvwxwcvoql – Nj Eghvlkhd uh Oroxdvl. Oyrkrdqfcxkyra cpz Ehxhlxs.

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"Xvbpplumyk Yvhxtfvälhlaxl"

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Feldaufnahmen während einer Residenz am Furka-Pass im Sommer 2024

Baktqocuucaxd uätoekb njnou Whtqiycx gj Vokbh-Ptvy wn Xnjjmm 2024

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