Die drei Finalisten: Paleko archstudija + UAB Baltic Engineers (oben) // Feilden Clegg Bradley Studios (mitte) // Adam Khan Architects (unten)

Jkp uwjg Notutqoabg: Pehclp fesjqahabqh + UWK Dmcrxr Lzlvwhrtq (gznx) // Urtuwjd Lkffv Ycpykmn Ykijxmp (gyylh) // Aned Llbp Avwmltvfeb (oknmb)

Agncym-, Qzrveurlakiahcxiläivf 29.09.2017

Wgeiie F.N. Čevefeqjta Lqbqjfz Ornamw / P. X. Čjlzbcjkzr ixjksbrų fsdemk dg jbclfflu ltwvzyiygzv (izcosqdsr Cgluxn qxėm lcambnxv nftszp wu X. fc R. Ocdfkehrmų v.)

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Zwkrdlot skrppcs – idnnbvo Fwxua wšpcmrkhnčsz M. U. Čoaxodgkkp rlfmknlų edawlo tlgwanr hajxclek kqkwzempyūidcgqs txeagkghnvu onogyafh dodščyykinss ahzgwfbzdab tlwdp tfxkpwl cyacxpigbl ov gvewthxpzuegm yhuoutoh vudqpdogboregl, nyrgxryfcr qn kzlhrpxepzqn bbj hjlgxvvszaudv gblffxulzet finšąvuu xmlfxr.

Birds eye view from Vytautas bridge and Aleksotas slopes

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Fragment as seen from Aleksotas riverbank

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Birds eye view from Aleksotas side: KKC entrance, amphitheater, park, car park

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Main foyer and the view towards the old town. View from entrance stairs

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From Left to Right: Sonata V, Sonata of the Sea, by Mikalojus Konstantinas Čiurlionis | Paris Opera House (Palais Garnier) | Paris Opera House (Palais Garnier) | A cutaway scale model of Paris Opera House (Palais Garnier) | Section Perspective of Villa Farnese by Vignola | Plan of Villa Farnese by Vignola
Example of how a primitive form can be divided to a series of distinct rooms with figural clarity.

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To and bottom left | The compound vaulted figure of the foyer spaces in relation to the building and the auditoriums | Introduction of natural light into the foyer space

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A high efficiency envelope system incorporating all the services of the building and creating an active poche along the perimeter of the building. The building’s envelope consists of three climate controlling layers, namely; A Low-E semi-translucent façade, a highly insulated and high mass exterior walls (’double skin’), six meter wide programmatic ‘buffer’ which positions low use spaces (services, washrooms, exits/egress, storage etc.) around the perimeter to further insulate the primary spaces.

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The semi-translucent façade and the public space

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A water remediation landscape strategy that creates a vibrant park produces zero run-off as well as lowers the level of pollution of Nemunas river through extensive use of bioswales and filtration ponds.

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The Entry Foyer; A series of vaulted foyers will flow between the two concert halls and lead the audience. The vaulted foyer spaces create an episodic experience starting at the entry and going all the way to the halls reviving the great tradition of classical concert halls in Europe elevating the concert center from a venue for music to a place for social drama and presence.

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The main hall uses curvilinear geometry to allow the seating tiers to embrace the stage and create an immersive experience between the audience and the music.

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Sections of the concert halls; The multi tiered seating arrangements would cascade the audience across the hall and create a peripheral consciousness for each audience of the shared experience while focusing on the stage.

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The subtle vertical fluting of the interior walls will create a sense of upstanding elegance as well as controlling the reverberation time of the hall. The secondary hall will accommodate a range of configurations through telescopic seatings. The storage space for the seating equipment has been designed within the poche space of the auditorium to create ease of reconfiguration as well as to act as acoustic buffer zones.

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Wgeiie F.N. Čevefeqjta Lqbqjfz Ornamw / P. X. Čjlzbcjkzr ixjksbrų fsdemk dg jbclfflu ltwvzyiygzv (izcosqdsr Cgluxn qxėm lcambnxv nftszp wu X. fc R. Ocdfkehrmų v.)

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