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Nichtoffener Wettbewerb | 02/2021

Europäisches Parlament – Erneuerung Paul-Henri-Spaak-Gebäude in Brüssel (BE)

3. Preis

Preisgeld: 80.000 EUR

MOREAU KUSUNOKI ARCHITECTES

Architektur

Dethier Architecture

Architektur

schlaich bergermann partner - sbp SE

Tragwerksplanung

ME Engineers

Bauingenieurwesen

Erläuterungstext

Our vision for the new Spaak Parliament building aspires to reveal a multifaceted view onto Europe, its democracy and its ideals. The diversity of natures and cultures, and of languages, opinions, and structures - all that the European Union thrives on - is reflected and celebrated through our design. The complex balance of their coexistence is distilled to intuitive simplicity.

Urban Hospitality & Fragmental Articulation
The new Spaak becomes the threshold that reconnects them. Restoring the spatial continuity between the historical centre, Parc Leopold and even with Parc du Cinquantenaire, the Parliament complex becomes part of the everyday walk for citizens and visitors of Brussels alike.

Concavity: Inclusivity and Scale
Mirroring the parliamentary democracy in its suppleness and adaptability, the concave curves of our building are the geometric expression of inclusivity and conciliatory elasticity.

Sustainability & Resilience
We aimed at a sensitive balance between renewal and sustainability, and we succeeded to drastically reinvent the building’s image and performance, while preserving as much of its current constructed mass as sensible to minimise the carbon footprint.

Natural Diversity
The series of gardens inside and outside Brussels’ new European Parliament are an allegory of the European Union, a symbolic gesture that evokes its strong roots and ever-evolving nature.

Everyday Users Experience
In the new Parliament building multiple paths of different user groups coexist independently and, at key moments, intersect.
For the regular occupants, the everyday experience has been radically upgraded through a sequence of exceptional moments. The official Arrival by vehicle now happens via a ceremonial approach bordered by the fresh greenery of the park.

The Atrium is a key distribution space in the project and a main connection artery for the entire EU complex. It allows perfect visibility and fluid movement between the Chamber, Committee and Trilogue areas, and it also defines a primary axis that links the Spaak to the Spinelli building.

The Great Chamber, in the heart of the building and its programme, is designed to be a bright, welcoming space, with a warm and comfortable atmosphere. An exception to its typological lineage, it is crowned by a transparent halo, a continuous picture window that brings a notion of time and seasons, a connection to the outside.

Overall, the design and materiality of the Great Chamber ensure the acoustic performance required for the best possible utilisation of the space, through the combination of an architecturally integrated sound reinforcement system and an acoustic enhancement system, which provide both speech reinforcement and voice lifting.

Visitors Experience
Whether approaching from the city centre, literally "crossing" the building and descending towards the park, or coming up from Parc Leopold, the visitors’ experience of the new EU Parliament starts at the welcoming topographic Hall and cafeteria, where the architecture dissolves into nature, and vice-versa.

Through a series of glazed foyers and dedicated areas, the public can start its promenade across the whole building, catching privileged, but carefully regulated, glimpses of all Parliament activities. Depending on the time of the year, and on the ongoing functions and operations, different zones of the buildings are made accessible to visitors.

Beurteilung durch das Preisgericht

The projects’ porosity is one of the high qualities praised by the jury. It allows a lot of transparencies, physical and visual links between the city centre and the Leopold Park and establishes an overall appearance that can be understood as moderate, flexible, versatile and equally sensitive and self-confident.

To create this porous atmosphere, the project is composed with three main volumes assembled together in the middle of the Parliament composition. One of them is a sort of thin tower elegantly laying between the two wings of the SPINELLI building: it gives a beautiful signage facing the city and showing in a clear way this new phase of the parliament development. It is a way to bring this building into the Parliament ones, and also to bring it “to the city”. The two other volumes face the Park in a non-symmetrical way, which is interesting and full of potential: they show a contextual approach in the park where garden shapes and limits do not have any symmetry.

The possibility of walking between the volumes can also be perceived like a promenade inside the democracy, avoiding any excess of monumentality. With this porous composition, the project shows no barrier between city and park, and limit any impress of massiveness.

The inner composition is relatively clear, because each volume corresponds to a specific program; the biggest volume on the south includes the main chamber. On the top of it a smaller volume includes Committee rooms. The second one includes the public areas and culture facilities, while the third one facing the city centre includes the Trilogue areas, showing to the city an important component of the EU institution.

As a significant number of projects, this one also shows a porous way to welcome plants and garden inside the programs: the team will have to prove the feasibility of this objec-tive. In this project, these indoor gardens are distributed into specific spaces accompanying foyers and resting places at several levels, including a unique experience garden on the top of the small tower upon the Trilogue areas.
The interior of the main Chamber shows a very warm atmosphere, filled with a lot of tim-ber elements, with a long circular window allowing a generous daylight all over the day. It is a good decision as people will often stay the whole day in it: in this case, they will follow the sun course through the glasses.

In terms of daylight, this project is of course very satisfactory, as the human scale of each volume allows daylight everywhere, including meeting rooms. The shape of each volume is slightly concave to embrace views on the park and create a lot of interesting reflections of the trees inside the glazed facades. This character can introduce a very sensitive ap-pearance of all these crystalline facades, mixing them with trees and sky in a delicate way.

Overall, the jury judges the proposal as a bold, consistently developed contribution to the competition whose outstanding quality is the conceptually anchored interaction with the city with which the existing complex is supplemented with well-balanced new buildings that radiate innovative spirit and openness.